Book Review: A Time to Die

coveratime

 

Today I am very excited to review Nadine Brandes’ book, A Time to Die. I had my eye on it for quite some time (that cover, though!) and after hearing many good things about it, I decided I had to give it a try.


Synopsis: How would you live if you knew the day you’d die? Parvin Blackwater has wasted her life. At only seventeen, she has one year left according to the Clock by her bedside. In a last-ditch effort to make a difference, she tries to rescue Radicals from the crooked justice system. But when the authorities find out about her illegal activity, they cast her through the Wall — her people’s death sentence. What she finds on the other side about the world, about eternity, and about herself changes Parvin forever and might just save her people. But her Clock is running out.

My thoughts:

The plot was tight and fast paced, and the futuristic elements were very unique without distracting from the plot. There were several surprises where the author did something I truly did not expect her to do. However, there were other things Parvin did not see coming that I saw a mile away.

My favorite character was Parvin’s brother Reid. He was kind, well-behaved, and a good example. Like Tadashi from “Big Hero Six”. Second to him, I liked Hawke. And Skelley Chase. He was one of my favorite characters simply for how he was written (definitely not for who he was). He was interesting, strange, and sometimes you hated him, but he was so himself. I found Parvin to be a nice young lady, though a tad quick-tongued. Her impetuous nature got her into quite a lot of trouble. I didn’t relate to her much—that might just be me, though.

I did not enjoy the end the way I had hoped. The main character *minor spoiler* is not feeling well, *end of spoiler* and I found that it overwhelmed the plot at the end for me. However, that’s just what comes sometimes from reading books in first person present tense. There were a couple graphic descriptions, for the weak of stomach, but nothing that felt assaulting.

One thing I really appreciate is the author’s voice. It’s clear, it doesn’t tangle you in too much description or too little, and it stays out of the way of the story. I think for that alone I would enjoy reading anything written by Nadine Brandes.

All in all, I greatly enjoyed the book, and I am looking forward to reading the sequel.

 

 

A Peek Into My Story Planning Process

A Peek Into My Story Planning Process

As many of you know, my book Crowning Heaven is currently out to the first round of beta readers. What most of you probably don’t know is that this is (was) my first real writing break in several years…the first time since 2010 that I haven’t had planned out which story to write next. I was planning to enjoy that break for at least a month, possibly two. If I felt like dabbling a little with other stories, so be it, but I wasn’t really going to commit.

That lasted a full fifteen days.

An inkling of an idea, a song, and a classy-looking notebook later, I am over 2,000 words into my next epic.

So, since my head is full of story planning anyway, I thought this would be the perfect time to give you a little snapshot of what goes on in my head when I begin a new story.


 

Pray—I love new stories, and I am always thinking of them. While this can be a good thing (never a lack of things to work on!) it also presents a challenge: is this something the Lord is laying on my heart, or am I just doing this for myself?

Make a Pinterest board—Most of you are probably better at this than I am. I usually just browse boards in my general genre (fantasy, dystopian, or in the time period if it’s historical) and pin any picture, setting, quote, or actor that catches my eye. Even if I don’t end up using it, it all helps make up the general impression I need in my own head.

Cast characters—For me this is crucial. I’m visual, and a face is key to understanding who I am working with.

Create a story playlist—For my current story, there is a lot of opera. For Crowning Heaven I used a lot of movie scores and Thomas Bergersen.

Collect ideas—I start a notebook or a Word document where I put any random ideas, snippets of dialogue that come to mind, or fragments of outline.

Start writing—I usually start writing as soon as I can. For me, to wait is to lose very precious inspiration that comes with the start of a book. If I wait too long I overthink it and the story goes nowhere.

Oftentimes I purposely don’t plan too far ahead in my story. Yes, I already have a faint inkling of how the end will go, and I definitely know some major plot points that are going to take place, but I enjoy having a great deal of unknown ahead of me.

 

What is your process when starting a story? I would love to hear how you do it!

The Song of Roland

The Song of Roland

“And Roland, fearless as a lion or leopard brought / To bay at last, called to the men of France / With words inspiriting. Then once more replied / To Oliver: “Friend, of this no more! for here / In Ronceval are twenty thousand Franks, / But not one coward. It is Frankish law / That every man must suffer for liege lord / Or good or ill, or fire or wintry blast, / Ay, truly, must not reck of life or limb. / Bestir you, comrade! Grasp your lance, and I / My Durendal, bestowed by the King’s hand. / Whoever wears it after me shall say:  / ‘This was the sword of one who fought till death.’”

 

I have good memories of the first time I read this. My sister, who loves epic poetry, had pulled The Song of Roland off our bookshelf one day out of curiosity and found herself hooked. She kept telling me that I ought to read it. So I took it with me on a housesitting job, and devoting only fifteen minutes a day to it, I finished easily in a handful of days.

She was quite right.

The Song of Roland tells the story of a battle by the Christian Franks against the heathen Spanish, who, desperate to shake off the Franks’ mighty power, have secured an arrangement with a Frankish traitor to attack the rearguard held by the greatest of the Frankish knights, Sir Roland.

It is a brave story of sacrifice, friendship, and perseverance. Roland is a dynamic leader with enough panache, gut, and strength for the entire Frankish army. His friend Oliver is a faithful fellow who can hold his own against Roland’s overpowering personality. And the Archbishop is just plain awesome. That man can really handle a sword.

I used Frederick Bliss Luquiens’s translation and I love it. I don’t know how it measures up to Dorothy Sayers’ version, since I have not read hers, but I found it very readable. Luquiens was a teacher of early French, among other languages, at Yale, and after his death a number of students were given his personal translation of The Song of Roland, which he had never tried to publish. At first they thought they would just print a few copies to distribute among his former students for their enjoymen, but upon reading it and not being able to put it down, they decided it was far too good not to publish. It flows beautifully, being written in unrhymed pentameter, and while the voice of the poem is decidedly antiquated (think Rosemary Sutcliff’s dialogue), there was never a passage where I could not understand what was being said.

It is a short, easy read (especially for epic poetry), and I highly recommend it to anyone looking for a good starter in the genre.

A Wee Bit of Sunshine

sunshine

Greetings! The dear and lovely Wendy of The Jumping Bean nominated me for the Sunshine Blogger Award. If you’ve never been there before, please go over and check her out. She is awesome 10x and the biggest sweetheart. Anyway, I needed some sunshine right now, since everything is frigid where I am, and we’ve mostly had just gray skies.

So…seven random facts about me. This could either be incredibly interesting or incredibly boring.

  1. I am germaphobic. Which means I sort of have that whole stay-healthy-and-avoid-the-germ thing down to a fine art, and go on high alert when someone sneezes.
  2. I am an opera fanatic, most especially of Placido Domingo’s work. Everyone can keep their musicals and their tv shows-I’ll be in the corner with some Puccini or Verdi.
  3. There are three foods I never get tired of eating: pizza, tacos, and Chinese food.
  4. I love Nascar. This year will be my fifteenth as a die-hard fan, and if you want to get me talking, ask me about the sport.
  5. I worked as a horse wrangler for a film that starred John Rhys-Davies. (It wasn’t Lord of the Rings, though.)
  6. I answered the door for a pizza delivery man dressed up as a wise man for a Christmas play. In a fake beard.
  7. I am an unofficial ASL interpreter; I sign a portion of the service/sermon at church each week.

Now here are the rules:

1.      Thank the blogger who nominated you for the award

  1. Display the banner/sticker/logo on your blog.
  2. Share 7 facts or things about yourself.
  3. Nominate 5 bloggers that you admire and inform nominees by commenting on their blog.

So…I nominate Joni from Lace and Fog and Aberdeen from A Glimpse of Starlight, who are both wonderful people with beautiful blogs!

Character Interviews: The Three Merchants

sakov

Since I sent my WIP Crowning Heaven to my beta readers two nights ago, I have been relaxing with a side project that has been percolating in my head for a few weeks.  Today I sat down and had a chat with the main characters and loved it too much not to share.

Three rival merchants in 9th century Byzantine are forced to forget old grievances and work together when they are held hostage by bandits seeking ransom.

Note: These fellows are of varying ethnic background and speak in their native accents, so please forgive them if their grammar is not up to standard.

Ini-heret, a Greek/Egyptian:

What is your favorite food?

Eish Masri, which is our standard bread, with lamb and rice flavored with garlic. It is my usual food as I travel, though sometimes I have to do without the lamb.

What is the worst injury you have ever received?

I had a fall from my camel many years ago (it was not a clumsy accident—we were on very bad ground in bad weather) and I broke my arm and my ribs. I was far from help and with ignorant fellows who barely spoke the language, so I was six months in a Bedouin healer’s tent before I was well enough to travel.

What is your greatest fear?

That when I grow old I will become fat and a fool. And crocodiles. A spiteful woman cursed me to be eaten by them, and I pray that she was not stronger than my amulets.

What is something you would dream of but never expect to happen?

That I should be both rich and beloved. Who doesn’t? But you asked for something I do not expect, and I do not expect that, because it is impossible.

Is there anything you would rather die than do?

Perhaps. But I have not had to be in that situation, so I do not think about it.

What do you care the most about in life?

The knowledge I have of goods and of gold. My mind is my greatest asset, and while riches come and go, my mind cannot be touched.

Whose opinion do you care the most about?

My own.

How do you react when you get tired?

I snap. But I do not act rashly.

What is your dream job?

I am happy doing what I do. If I were to do anything else, it would be to govern a city. So long as it was not too powerful, because I don’t want a knife in my back.

Are you more comfortable under authority or in authority?

In authority. What do you think I do for a living?

What do you see as the most significant event in your life so far?

The day I made my first hard bargain. I drove it hard against a man who was forty years older than me and far more experienced, and I won.

What has been the greatest trial in your life so far?

When my father died and left me and my mother poor. I had to leave home to support us, and I didn’t want to leave my mother.

What would you do if you had a free hour and could do anything you wanted to?

First, I would eat. Eish Masri and roasted lamb. And then I would sleep. Just a little. And then I would eat a honey cake, perhaps, and do some trading with whatever merchants were nearby. If they had something I want.

What is most important to you, heart, head or hands?

My head. I thought you were listening.

What would you least like to be chased by?

A crocodile or a lion. Both go very fast and will kill you.

Would you rather die alone or with friends?

Alone? If friends were there, perhaps they could save me.

What is the last lie you told?

I told it to a Byzantine trader last week. I said I was out of amber, and that I was out of Chinese silk. I did not want to do business with him, because I will get a better price in Krakow.

What is something you would tell nobody (barring the author)?

I was sold as a slave once. I was captured by slave traders and they were taking me to the galleys. I gave them the slip before we reached the coast—I knew the area and I carried a knife so small they never found it.

What is one thing you would love everyone to know about you?

I do not buy cheap goods. Everything I sell—it is the best that can be found in the world.

What would be your preferred mode of execution?

Poison. Maybe beheading, if it is a sharp sword.

Is there anyone you would die for or follow to the ends of the earth?

No.

What would move you to tears?

My mother. She was a beautiful woman, and she died many years ago. But if she came to me again, I would cry because I would be happy to see her.

What is the dumbest thing you’ve ever done?

I traded three silks of fine make for a ruby that was not real. But I was young. I learned.

Describe your wife or ideal wife?

I’m not that interested in women. They get in the way, and they make you complacent and fat, and wanting pleasure instead of work.

Would you rather be guilty of a crime and get away with it or be innocent and falsely accused?

Guilty, I think. I do a little bit of cheating, and I think that is just fine.

 

Fernando Casimiro, son of a Spanish father and a mother of mixed Slavic background:

What is your favorite food?

Seasoned rice or a good barley soup with bread.

What is the worst injury you have ever received?

I was shot by an arrow while traveling up the Amber Road during a war. It was lodged in above my knee, and it was very hard keeping it clean—you know, keeping the infection away. But it did not stop me much. I used a cane for the better part of a year, and that was all.

What is your greatest fear?

That something would happen to my wife and daughter and two sons. I do not think about it—we all know that we love each other. But I would be the saddest if something happened.

What is something you would dream of but never expect to happen?

I do not dream many impossible dreams. God has been good in granting me a good life and a heaven someday. Why should I ask for more?

Is there anything you would rather die than do?

I would never kill a man in cold blood, and I would never put my family in danger.

What do you care the most about in life?

My family.

Whose opinion do you care the most about?

I should say my wife’s, don’t you think? *laughs* But I trust my son’s trade sense. He is very smart.

How do you react when you get tired?

I don’t know if I have a reaction. I nod off…I don’t talk.

What is your dream job?

I should have liked to be a bullfighter. Do not tell my wife—she will think I still want to do it. I only want to in my dreams. It is not practical.

Are you more comfortable under authority or in authority?

I am comfortable in authority.

What do you see as the most significant event in your life so far?

There was a time when I met some young men of questionable character, and they were very drunk. They noticed a cross around my neck, and asked if I was a Christian, in front of some Greeks I was trying to trade with. Those Greeks were not friendly to Christians, and I didn’t want them to know. At the time I struggled with many doubts—not about being a Christ-follower, but whether I was a brave one. It got worse. The young men—I told you they were very drunk—they started to say that they would cut my throat if I was a Christian. And I decided that I had had enough and I must decide if I was going to be a coward about it or not. And—I had not even thought about it before I did it—but I turned around and told them (with my hand on my knife) that I was a Christian, and I wasn’t afraid of them. As it turned out, the Greeks stood up for me and sent the young men away. And they still traded with me, because they said I was a real man, even though I was a Christian. And it was significant, not because it was a huge thing, but because God proved to me that He would take care of His own. And I decided that I was not going to be a coward.

What has been the greatest trial in your life so far?

I had a second daughter, and she was four when she died. She was a beautiful child, and so happy. That is why my other daughter is so special to me.

What would you do if you had a free hour and could do anything you wanted to?

I would spend it with my family. It doesn’t matter what we do. Just so long as we are together and happy.

What is most important to you, heart, head or hands?

Oh, maybe the heart. That is where all the strong feelings come from.

What would you least like to be chased by?

Probably a lion. I saw one kill a wild ox by breaking its neck. One swipe and it was done. It would kill me faster than that.

Would you rather die alone or with friends?

With friends. If they were good friends. Family I would prefer, though.

What is the last lie you told?

I refuse to tell lies now. The last one I told was when I was a boy and I took some of my father’s dates. But I did tell him the truth, later.

What is something you would tell nobody (barring the author)?

 I would rather not answer that question, if it is not a problem.

What is one thing you would love everyone to know about you?

This is not an easy one to answer—I do not like everybody knowing about me and my matters. I guess it would be that even though I am the richest of all the merchants in Constantinople, I do not have black market dealings. And I do not live a frivolous lifestyle. But it is not their business anyway.

What would be your preferred mode of execution?

Must I answer this? You know, I do not like to think about death. It will come when it comes, and I will not be able to stop it.

Is there anyone you would die for or follow to the ends of the earth?

My family. And my father or my mother, if they were still alive.

What would move you to tears?

When I think of beauty. I know it seems strange—I work with the finest marble statues, or the best silks, or amber that is the purest in the world. But it’s not that beauty—it is a sunset, or the way the wind sweeps sand, or a little street child playing in the street. It is those things.

What is the dumbest thing you’ve ever done?

You know, I do not have very many regrets, but one thing that I think was not wise of me was to buy the villa on the far border. The Tartars took it, and they have had it for fifteen years now.

Describe your wife or ideal wife?

I have my ideal wife. She is wonderful, she is kind, she is intelligent, and she takes very good care of everything I put in her hands. She is an asset to me and to my trade in every possible way.

Would you rather be guilty of a crime and get away with it or be innocent and falsely accused?

(vehemently) I would rather be innocent. I would rather have my honesty and nothing than be fattened on dishonesty.

 

Giancarlo Fiorelli, of Italian birth:

What is your favorite food?

How can I have a favorite? That is like saying you have a favorite child. But no—I think I like sausage—from my Italy—with pasta and herbs.

What is the worst injury you have ever received?

My foot was broken after one of my servants dropped an idol on it. It was made of stone. It was a miracle that no sickness set in to the foot. I sent the servant away. He was no good.

What is your greatest fear?

I don’t know. Maybe dying. You can’t do anything after you die. But I also don’t like being robbed. That’ s bad too. No, no—it is water. I have a fear of drowning. And of dying of thirst.

What is something you would dream of but never expect to happen?

Yes—that I will live forever! No, I am only making joke. It would be that I become a king. I think that would be so nice.

Is there anything you would rather die than do?

Watch a little child or an animal suffer. I hate it. It makes me want to stop existing so I do not feel the pain.

What do you care the most about in life?

Staying happy. And making the people around me happy. Except for some merchants, and of course vagabonds. I really don’t care about them. Some of them deserve to be unhappy.

Whose opinion do you care the most about?

My wife Maria’s. She has a heart like honey, but a tongue like fire. And you get it from her, if you do not agree.

How do you react when you get tired?

I forget things. That is why I try and sleep enough. Otherwise I forget things. Important things.

What is your dream job?

To be a rich man and do no work. I am a little rich, but not enough to do no work.

Are you more comfortable under authority or in authority?

That is a hard one. It depends on which one is harder at the moment.

What do you see as the most significant event in your life so far?

The day my son Giancarlo was born. He is my first child, and my heart almost burst with happiness.

What has been the greatest trial in your life so far?

I have lost three children, when they were babies. One I never even saw. That has always been sad to me.

What would you do if you had a free hour and could do anything you wanted to?

I would eat, and I toss my little children into the air. It makes them laugh.

What is most important to you, heart, head or hands?

Oh, everything, yes?

What would you least like to be chased by?

A pack of wolves. They are frightening beasts and always so hungry.

Would you rather die alone or with friends?

With friends. That makes it more comfortable.

What is the last lie you told?

Oh, I think I told it to my wife Bernicia. I told her I hadn’t eaten already.

What is something you would tell nobody (barring the author)?

If I tell you, then it wouldn’t be nobody!

What is one thing you would love everyone to know about you?

That I love food. I will never turn down food. And if anyone has need of a roof over their heads, my door will never be closed.

What would be your preferred mode of execution?

Oh, don’t make me think about that! It makes me want to squirm! Whatever is fast and won’t hurt too much!

Is there anyone you would die for or follow to the ends of the earth?

Umm, I have to think about that one.

What would move you to tears?

Little children. Happy, sad—it doesn’t matter. They are so wonderful, so full of life—they just make my eyes—they fill with tears.

What is the dumbest thing you’ve ever done?

I pay some guards to escort my caravan once, and they ended up robbing me. I and five of my servants, we have to walk all the way to the nearest city—fifteen miles in hot sun and cold night.

Describe your wife or ideal wife?

I have three, and they are all ideal. Maria, she is the smart one. Bernicia, she is the sweet one—and Claudia, she is the best cook.

Would you rather be guilty of a crime and get away with it or be innocent and falsely accused?

Don’t ask me this question. You maybe not like the answer. Ask me a different one…

 

Guest Post: Not the Same Hobbit

beiot

Greetings, all! Today I have a special treat for you all in the form of a lovely guest post by The Philologist (aka Elisabeth). She is a woman of many talents, which include writing beautifully and playing the violin very well.

So without further ado, here is “Not the Same Hobbit”:

Most book-heroes belong to one of two categories: the learning hero or the lucky hero. The learning hero is changed by the events of the story and ends the book a different man than he began. The lucky hero, by contrast, stays essentially the same, while circumstances change around him, taking him for a wild ride. Mister Bilbo Baggins has the privilege of being both.

There is no doubt that he is grown by his adventure (as Gandalf remarks in the last chapter, he is not the same Hobbit who set out from Bag-End), yet he never ceases to be himself—the gentle, home-loving soul we met in chapter one. It is interesting to see how his neighbors view him when he gets home: queer, and not quite respectable anymore, but still a Hobbit and a Baggins. If they had seen him only a matter of weeks before brushing elbows with Elf-lords, conversing with magical beasts, and helping bring ancient prophecies to pass, they probably would not have trusted their senses.

In the course of his adventures Bilbo is awakened to the greatness of life. He experiences real danger, true friendship, and high courage. He sees far-off places and meets strange people; he learns what sacrifice is, both internal and external. The beautiful thing is that when he returns home, he does not scorn the Shire because of what he has learned. He holds onto the good qualities we saw in him at the beginning: a love of people, a love of nature, an appreciation for life’s simple pleasures. His neighbors are right in thinking he is still, in the end, a Hobbit.

Bilbo’s journey is a good analogy for a reader’s journey into a realm of fiction—particularly fantasy, legend, or fairy-tale. In such stories, we may travel to places as impossibly far-off as the Lonely Mountain is to the inhabitants of Hobbiton, and meet dangers as foreign as dragons and hostile Elves. These “pretend worlds” seemingly have nothing to do with our real lives, and are at best (we might be tempted to think) a fun way to relax and refresh ourselves for the work of the “actual world”, when in fact these stories have the power to change us as Bilbo’s adventures changed him, equipping us to better live the life we have been given.

We do not live in a merely physical world. Our world is also a world of feelings and spirits and ideas and truths and miracles. Our world is supernatural as well as natural. Yet our senses become dull easily, and we begin to live as though the spiritual were less real than the physical. We walk according to what we see, not according to “the things that are unseen”. Imaginative stories can keep us from slipping into such a mindset, strangely enough, by painting spiritual things as though they were physical. When we come into the presence of Smaug, a vast and terrifying presence, radiating heat, sending shadows leaping up the walls and a glow like fire glinting from the gold, we are cowed; and when he speaks with his dragon-tongue, proud and subtle, mixing truth with lie, we understand in a new way what temptation is. We have heard its whispers in our own hearts and minds, but now we understand it for what it is—the malicious deceit of a serpent who seeks only his own glory and our destruction. We do not simply know it in our minds; we have experienced it. Spiritual truth is often easiest for us to grasp when we imagine it in physical form, as in the parables Jesus told—the lying tongue of a dragon is only one of countless examples.

Conversely, our appreciation for physical blessings is increased when we see them through spiritual eyes. When Bilbo comes home to the Shire after his journey, he sees old, familiar things in a new light. After looking upon perilous mountains and dark forests, he looks at the hills and trees he has known all his life and they are suddenly beautiful. After coming close to death in so many different ways, he has a keener appreciation for everyday life. Frodo’s experience at the end of The Lord of the Rings is similar: he sees his neighbors, simple and silly and happily ignorant of the world, and he loves them the more dearly because he has known suffering and sacrifice. To Bilbo and Frodo colors are brighter, water is sweeter, and the sun is warmer. Their senses have been stretched to take in greatness, grief, majesty, beauty, love—and suddenly they see these things everywhere, when they had overlooked them before.

We are all born “lucky heroes”. The world around us is moved by the sovereign hand of God, and we find ourselves thrown into dangers or dropped into valleys we did not expect. But through these adventures, physical, spiritual, and even literary, we can become “learning heroes”: growing as we journey, expanding our hearts to greater loves and our minds to higher thoughts. And hopefully at our journey’s end we will find, like Bilbo, that without ceasing to be a Hobbit, we have become something more.

Blessings of 2015, Hopes for 2016

post hting

2015 was a fantastic year. In the inevitable ups and downs, the Lord blessed me abundantly with His steadfast love and mercy. With it being the new year, I think it is only fitting that I dedicate this post to looking back on blessings and looking forward to goals.

Blessings of 2015 and now:

-The Sea Scribblers Short Story Contest was a success, thanks to the wonderful Annie and Schuyler, and of course everyone who participated.

-My WIP is nearly ready for beta readers. *squeal*

-I am in possession of seven new beautiful notebooks as of last night, and I cannot wait to start putting them to good use (read: MORE STORIES).

-I was given Nadine Brandes’s book A Time to Die for Christmas, and I am wildly excited to start reading it.

-My newfound love for opera/Placido Domingo. I had been crazy over a song or two sung by Placido Domingo in the past, but in this last month, I have been swept away in the great amount of absolutely gorgeous music he  has done. It is making me a better, deeper writer. No, really.

-All my dear writing/blogging/Twitter friends and family. All of you who have encouraged, prayed, and helped me out this year—you have been an incredible blessing to me!

-New story ideas. As much as I can be hard on those little fellows, they are what make writing exciting and worthwhile to me.

-New fancy coffee. Enough said.

Looking Forward:

I love goals.  Every time the new year rolls around, without fail I open a new word document or a fresh page in my notebook and scribble down my goals, hopes, and dreams for that year.

Of course, looking back, I always see how priorities change as the year goes by, and being the incredible optimist I am where goals are concerned, it is rare that everything gets done.  Still, it doesn’t hurt to give yourself something to shoot for.

-Read 55 books. I did a little over thirty last year, and I think with some careful consistency, I can do a little more. If any of you have a book you are dying to share, please let me know, I’m looking for new and interesting ones!

-Write two to three novels and four novellas/short stories.

-Have my WIP (Crowning Heaven) progressed to the point at which I can start querying it to professionals.

-Start a writer’s group.  No clue at all if this one will happen, but I like to dream.

-Take some writing classes to expand my horizons and stretch me a little.

And for fun:

-Be able to speak/understand enough Italian to understand an opera without subtitles.

-Build up my breath support and technique so I can tackle bigger vocal pieces.

 

Are you setting goals for 2016? What are some of your reading/writing goals?

December Article Roundup

December Article Roundup

Here’s this month’s article roundup. Enjoy!

  1. How You Can Help Your Beta Readers http://awritersfaith.blogspot.com/2015/09/how-you-can-help-your-beta-readers.html?m=1
  2. 7 Reasons Why Star Wars “THE FORCE AWAKENS” Is Great For Writers http://thewriteconversation.blogspot.com/2015/12/7-reasons-why-star-wars-force-awakens.html
  3. Should You Write to the Trends? http://mariellahunt.com/2015/12/12/guest-post-should-you-write-to-the-trends/
  4. 35 Unique Christmas Gifts Your Writer is Bound to Love http://www.thisincandescentlife.com/2015/12/writer-christmas-gifts/
  5. Handling Contradictory Feedback http://www.booksandsuch.com/blog/contradictory-feedback/

Have any of these articles been helpful to you? What were the best articles you read this month?

The World of Writing Music Artist Feature: John Williams

HOLD ON

It is impossible to go anywhere this week without running into mention of Star Wars, which is probably why, when planning my post today, I thought of the man behind some of the most iconic film music of this age.

Arguably the most famous of all film composers, my featured artist today is none other than the great John Williams.

About the artist:

Born in New York to a musician father, John Williams went straight into music at the University of California, Los Angeles after high school and studied with the Italian composer, Mario Castelnuovo-Tedesco. Two years later he was drafted into the US Air Force and served with the US Air Force Band. When his time ended there, he moved back to New York and attended Julliard, working as a jazz pianist during that time.  After Julliard he returned to Los Angeles and worked in film score orchestration and as a studio pianist before being asked to score his first film.  Not long after, Steven Spielberg asked Williams to write the score for his directorial debut film, and the year after, the did Jaws together, which sealed a long-time collaboration which included Star Wars and Indiana Jones.

Why I recommend him:   

Well, he’s iconic, and for a reason. His themes are unforgettable, and while I may argue that some incline a little too much to the march-like and repetitive, he does write very beautiful music.  His music  is solid, well-written, diverse, and stirring.

What I use his music for:

-General playlist music

-Character themes (not often, but on occasion)

-Inspiring a specific emotion or tone in a scene

Favorite Albums:

Schindler’s List

Star Wars

War Horse

The Cowboys

Indiana Jones

Favorite Tracks:

Across the Stars (Attack of the Clones)

Summon the Heroes

The Homecoming (War Horse)

Hymn to the Fallen (Saving Private Ryan)

Anakin’s Betrayal (Revenge of the Sith)

With Malice Toward None (Lincoln)

Raiders March (Raiders of the Lost Ark)

Victory Celebration (Return of the Jedi)

Have you heard any of John Williams’s scores? If so, which tracks are your favorites?

Sea Scribblers Short Story Contest Winners

6

Hello everybody! At long last, we have Results.

First off, I want to sincerely thank every single person who entered. There was not a single story that I did not enjoy, and I was blown away by the creativity you all implemented with the prompts. It was honestly painful whittling it down.

However, we had to, and it is my pleasure to announce to you the winners.

3rd place: “We Three Gifts”, by Sarah Holliday

2nd place: “Red, Yet White”, by Victoria Marinov

1st place: “Song for Liselei”, by Elisabeth Hayse

Honorable Mentions (in no particular order): “Stardust”, by Carrie-Grace McConkey, “Tree Heart”, by Joni Patterson, and “The Dark Masquerade” by Hannah Wilson.

And I have the great honor of featuring the first-place entry here for you all to enjoy!


 

Song for Liselei

LIESL clutched her cloak about her neck. The Bleakwood creaked and groaned in the wind, its trees standing like ruined sentinels upon long shadows, reaching stiff arms into a dying gray sky. A lone hawk wheeled among the streaking clouds. The sun was nearly gone.

She had never been to the edge of the wood by night. Always before her brother had been with her. But her brother was gone now, these three days—gone like Father and Mother, gone like the snow, blown from the treetops by this bitter wind. Yet the snow would come again, and Hannes would not.

She wondered if the hound would come tonight, or if having waited in vain for three nights he had found a new haunt, a new hand to nuzzle, a new source of food. She and Hannes had fed him scraps every night for more than a year, but she had forgotten him these last few days. Even now all she had was a stale crust from the loaf she had half-eaten at daybreak. She was sorry. He was a fine animal and must have been accustomed to far better meals before he was lost in these woods. Only lords owned such dogs—tall, rangy, wolf-bred.

Her whistle met with no answering howl of joy, no whining scramble through the snow to meet her. She leaned against a tree and slid her back down the frozen bark, legs thrust out before her in the hard snow. Hot tears poured from her eyes. She was alone.

For a long stretch all the world stood hopeless and still. Then she heard, from afar, a voice singing.

Something in it stirred her: first her numb mind, then the blood in her veins, then the embers of her deadened heart. There was a strange power in the music, as though it was meant for her, whether the singer knew it or not. She scrambled to her feet shivering, cheeks stinging, heart racing.

The shadows parted beneath the trees. Her throat caught. A silver-clad rider on a great black horse came forth, singing to the new stars as though his heart would break. It was a dark, kingly face—a mournful face, with shadows cast beneath the brow—but in this moment it was consumed with the joy of making those strong, noble, throbbing notes. She did not understand the words he sang, but she knew they were of love.

There came a hoarse, howling bark and the song broke off. The man reined his horse in tightly with a sharp command. Dashing through the snow toward her was the hound.

‘Down, Hero, down!’ the man said, and through the wild assault of warm tongue and gray fur she saw him dismount. He took the hound by the scruff, scolding him. ‘A maid, Hero! For shame!’ The dog’s ears lowered in submission, but his tail wagged in secret glee.

Liesl brushed fur off her cloak.

‘I am sorry for my dog,’ said the man, shaking his head. ‘He is a rascal.’

‘It is no matter,’ said Liesl.

The man seized his horse’s bridle again. ‘Was it you who looked after my Hero in the woods? I had thought him dead a twelvemonth.’

‘My brother and I,’ she said. ‘We found him last winter, lamed.’

‘I am indebted to you both.’

She had not intended to weep, but tears came spilling out.

‘What, ay?’ said the man, moving toward her in concern. ‘Something troubles you?’

She hid her face.

‘Where is this brother of yours?’ he said with a smile in his voice. ‘He should take you home—it is too late and cold for you to be out in the woods.’

Liesl shook her head. ‘He is gone,’ she said between tight sobs. ‘He died of fever three days ago.’

The man murmured an exclamation and knelt to dry her tears, all smiles gone. ‘What, little maid? And what of the rest of your family?’

The sobs came harder.

‘All gone?’

She nodded.

‘It is a great thing, then, that I have found you,’ he said, getting to his feet. ‘I will take you back to Diamonta.’ A spray of glittering snow fell from the hem of his cloak. It was a fine cloak, thick and scarlet. His gloves were of new leather, his boots tall, coming higher than the knee. Liesl had never seen a man so richly dressed.

‘Who are you?’ she asked.

The man set his hands upon his hips. ‘I am Prince Diormo,’ he said, ‘and Diarron the Kingfather calls me son. Hero!’ He turned aside to snap his fingers at the hound, who was beginning to wander.

She felt suddenly faint. ‘You do not want me,’ she said. ‘I am cursed.’

‘Nonsense!’

‘My father said so,’ Liesl insisted. ‘That is why we had to leave our home. I do not remember it, but he said it was so.’

‘I am not afraid of curses,’ said the prince stoutly. ‘Shall I leave to the winter’s mercy one who was the saving of my Hero?’ He scratched the dog about the ears and under the chin. ‘And my father would not forgive me for leaving you.’

She did not protest. He took her hand and helped her climb onto the horse.

‘I will sing a song for you,’ he said, and swung up behind her, scattering light and shadow from his boots. ‘Come, Hero!’

 

FROM the moment the Princess Iolanza saw the girl, she recognized her and was afraid. She had thought Diarmo conquered. For a year he had sung only of Iolanza—her flashing eyes at daybreak, her jet hair at eventide. She had expected soon to bring him under her father’s dominion in the Deep-land. Yet now he rode in with this girl on his saddle, handing her down like a queen, and he had allowed her to stay at Diamonta, in the Kingfather’s palace, on some foolish excuse about his hound, and he had decked her in made-over gowns of his mother’s. He was not in the habit of bringing home peasants. Surely he had guessed from whence this maid sprang.

It was at the Festival of the Winter Moon that hope utterly forsook Iolanza. The light of a thousand candles blazed that night, glinting from glassy walls, glowing fiercely upon the golden pillars that ran upward like fiery trees, branching out to uphold the vaulted ceiling. The Kingfather sat upon his ivory throne, his hair streaked silver, his proud, hawkish face alight with joy; and at his side stood Diormo, carven in his father’s image but with sable hair. Ay, he was so handsome that night. The image haunted her dreams ever after.

She had dressed in scarlet, perfumed herself with spices and oils, hung her neck with rubies. She wore the mask of black lace that she had worn the night they first met, she and Diormo, and she saw that he was hungry for her glance, her smile, her laugh. But sitting in the shadow of the throne was the girl with the sad, dreaming eyes, and the sight set her soul burning.

As Diormo took her hand to dance she said, ‘The peasant child ill-becomes your father’s dais.’

‘Ah, no,’ he replied, smiling. ‘She does no harm. She is a good girl and the dogs love her.’

‘The ring is set upon my finger tomorrow,’ she said, ‘and the crown upon your head the day after. By the third day, let her be gone from here.’

‘Why?’ He laughed as they whirled in the light of the candles. ‘Have you taken a dislike to her?’

He was mocking. Her battle-blood rose. ‘Diormo,’ she said, ‘you shall send her away.’

‘Shall?’ A dark note colored his voice. ‘Shall? That is a strong word, Iolanza. I want you for my queen, not my goddess. If this is meant as a test of my love—’

‘It is no test of your love. Áncielo! If I wanted to test your love I should have had you in torment long ago. But she must not stay.’

He was stubborn. ‘Why should I send away a maid who never harmed a soul, who saved the life of my favorite hound—’

Anger burst in a flash before her eyes, blinding her. She jerked her hand from his. ‘Enough! Will you send her away?’

They had stopped in the middle of the dancing floor, and the room had ceased to spin around them. The music went on, faster and faster, but the dancers slowed.

She saw him scrambling for an answer, caught between her demand and his pride. The black eyes flickered. ‘No,’ he said.

Rage rushed through her, sweeping all before it in a cold wave. She tore the mask madly from her face, threw it to the ground, and stamped upon it. ‘Take a bride from the gutter,’ she said.

‘Iolanza!’

‘Seek me in my father’s realm! All the songs your soul can conjure will not avail you against the Darksinger.’

As through a haze she heard the gasps of the onlookers and saw the face of Diormo, aghast at her father’s name. Fiercely she laughed. ‘You are surprised. But my father draws all powers of music to himself. You might have known he would send for you, Diormo of the Proud Voice.’

And she cried out, and casting her red train about her, vanished.

 

PRINCE Diormo strode from the hall like a storm, the shadow of Iolanza’s words dark upon him. He locked himself in his apartments, answering to no one. But about midnight a low knock was heard at the door and his chamberlain’s voice called, ‘Your highness, the child Liesl is gone.’

Diormo jerked his doublet over his shirt and flung the door open. ‘Kidnapped?’

The chamberlain shook his head. ‘Fled.’

He reached for his belt and wrapped it round his middle. ‘How long ago?’

‘She was seen an hour ago, but not since.’

‘That accursed woman! Why should she bedevil the girl? What can she have against her?’

‘Will you have your dogs called?’ asked the chamberlain.

Diormo flung on his cloak. The breeze made the candle by the door dance. ‘Yes, bring them to me. The dogs will find her.’

 

LIESL awoke to the sound of trees murmuring. At first she thought she was back in the Bleakwood, but this forest was warmer, these trees thicker and darker. A heavy night-musk hung in the air.

She had jumped into the lake. That was it. The prince had lost his bride because of her, and she had run down to the lake from Diamonta on the heights. She had seen the lights—a million twinkling lights, not stars, summoning her from its depths. And now she was here, not in the starry city that had called to her heart, but in this strange forest. She had come into the Deep-land, of which so many tales were told.

She wandered as in a dream through patches of moonglow and shadow, unable to feel hurt or cold or sorrow, until at last she stumbled upon a treeless glade, bathed in music. Were they fairy-folk that danced here, tall and beautiful? They seemed to be inviting her to join in, laughing, and she knew the words of their songs….

Come to the Forest,

 

abode of the night-folk,

 

home of the dancers,

 

the schalmers,

 

the song.

 

Come to the Forest,

 

dwelling of dreams;

 

cast off your fears,

 

tangled in moonlight;

 

dance in the light of the stars.

She knew not how long she whirled among them before she saw the dark figure, standing under the eaves of the forest watching her. At first she thought it was Diormo, but as it advanced toward her slow horror chilled her heart, and she knew that it was not he.

‘Liselei,’ said a strong, soft voice, calling her by a name she had forgotten. ‘You are come home. Have you forgotten that there is now no throne here for you?’

In that moment her memory returned. She remembered the Darksinger, who had arisen over the Deep-land and set his accursed song upon it, singing castles down, singing the sun from the sky. She remembered her father, wounded and withered by the cruel voice, and the flashing-eyed princess who had laughed at her.

The night-folk fled. Her enemy loomed over her, a great gaping blackness in the soft, sweet dark of the forest. He opened his mouth to sing, and her knees nearly gave way. She had no voice to oppose him.

Then, from afar, came the sound of a dog barking.

 

‘WHAT, ay?’ Diormo strode into the glade, eyes flashing. ‘Slay a child for a woman’s jealousy? Is that the way of it?’

‘Jealousy!’ The Darksinger braced his shoulders. ‘You are a great fool, Diarron’s son. This is the Deep-king’s daughter.’

‘Then she is queen of this place!’ Diormo cried, amazed.

‘Not so,’ said the Darksinger. He cried shrilly. From the trees swarmed forth many shapes, dark like himself. Diormo strove against them, but they seized him and held him fast. The dogs cowered.

Then out of the darkness came Iolanza, clad in silver. She looked upon the prince with still eyes. ‘So. You have come. Not seeking me, but championing the peasant child.’ Slowly she nodded. ‘Ay, Diormo. I see.’

‘Go from me,’ he said, as though it pained him to speak. ‘I would not harm you.’

‘You will not,’ she said. ‘You will be destroyed. But I will go, as you ask.’ She turned, and with one last, long look, melted into the trees.

Diormo struggled. Watching his brave, defiant face, Liesl was afraid. Had she not told him there was a curse upon her? But he had scorned curses.

‘Will you die too?’ mocked the dark voice. ‘You who loved my daughter? Must I set an aria burning in your veins until the panting life is gone?’

Diormo closed his eyes, and Liesl thought that he was in despair. But his lips parted, and he began very softly to sing.

The mocking lines of the Darksinger’s face deepened. He smiled as a man who is threatened by that which has no power. ‘Ay, sing on,’ he said. ‘I will meet you there.’ Diormo’s voice grew richer, as if he drew strength and beauty from the night, and Liesl, listening, sank to her knees. Around them loomed the dark shapes, but above them hung the stars.

Raise, O night, thine evil;

 

Strike, O dark, to slay.

 

It is thy soul shall tremble first,

 

And thine arm shall fall.

 

Arise, arise, my heart!

 

Cast down the circling stars!

 

I see it now beyond the hills:

 

The dawn,

 

The dawn is coming. 

The shadows that had pinioned him fell back trembling. But the Darksinger strode toward him, crushing him down with a voice like black thunder in the trees:

 

A bold song,

 

A brave song.

 

Sing, ay, sing on:

 

Dawn shall not rise on thee.

 

Night reigns eternal!

 

Despair, now, and die.

But Diormo rose again, swaying, bracing his legs, singing of the morning that rose somewhere beyond the sky, casting golden light upon lakes and glades and fells—upon Diamonta, gleaming in the dawn. Again and again he staggered before that mighty voice as Liesl had once seen her father stagger. Never had she heard a mortal man sing as he sang in that hour; and he strove with pain for his breath, yet he breathed on.

At last he was cast to the ground. He sobbed rather than sang. The Darksinger towered over him. ‘Give up, brave fool. It is over.’

But Diormo raised his head again and staggered to his knees, crying defiance.

A violent, white-hot note stabbed through his song as though to slay him. He rose up, and it seemed that all the forest rose with him and the very stars trembled as courage poured forth from his mouth. And he sent his last strength through the heart of hisfoe in an agony of glory.

The earth was shaken; the heavens bowed. Rain fell in sheets and light sprang up from the ground beneath their feet. The Darksinger fell limp upon the grass, and the voices of all the people of the land rose together, crying in wonder, Liselei! Liselei!

 

BUT Liselei the queen crawled to Diormo, who had fallen in the crushed and dewy grass, and she wept. A nuzzling warmed her shoulder and she threw her arm about the neck of the hound. He lay down with a sigh, his head upon his master’s body.

She remembered the words of the Darksinger—night reigns eternal. But she looked, and the sky was bathed in golden flame: the sun was rising. She remembered, too, what he had said to Diormo—dawn shall not rise on thee. And she raised her eyes and saw the dawn, and heard the wind singing in the branches of the trees; and Diormo rose upon his knees, wiping her tears from his face.

‘Liesl,’ he said. ‘Is it you?’

‘It is I,’ she sobbed. ‘It is the morning, Diormo.’

He took her hand and they stood upright, looking about the glade. The hound whimpered with happiness. The prince reached down to scratch him beneath the chin. ‘You are a queen now,’ he said gently, and his voice was hoarse. ‘Shall I take you back to Diamonta?’

‘Back to Diamonta?’

‘I am not afraid of curses.’ He smiled.

‘The curse is broken,’ she said softly. ‘Yet I have a kingdom I must rule here.’

He nodded, swaying a little. The hound ran ahead of them through the sun-soaked grass, barking with joy. ‘You will stay, then,’ he said. ‘Yet not forever, perhaps.’ He looked down at her gently. ‘When you are weary, come to the forest, Liesl, and lift up your head; and I will stand beside the lake that is below Diamonta, and I will sing to you.’

She smiled through sudden tears. ‘I will,’ she said.


 

And that’s it, folks! Please make sure to stop by My Lady Bibliophile and Curious Wren to read the second and third place stories, and see who their honorable mentions were!